题目内容
（请给出正确答案）
A．features
B．appearances
C．virtues
D．characteristics
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更多“Hemingway spoke highly of such…”相关的问题
He spoke in such a high voice ______ at the farther end of the room.
A．as to be heard
B．to be heard
C．as to hear
D．to hear
Hemingway's style. of writing is striking. His sentences are short, his words simple, yet they are often filled with emotion. A careful reading can show us, furthermore, that he is a master of the pause. That is, if we look closely, we see how the action of his stories continues during the silences, during the times his characters say nothing. This action is often full of meaning. There are times when the most powerful effect comes from restraint (适度). Such times occur often in Hemingway's fiction. He perfected the art of expressing emotion with few words.
The word "stamina" in the last line of paragraph 1 can most probably be replaced by______.
A．money
B．time
C．energy
D．weapon
阅读理解：结合上下文内容补全填空。
操作提示：通过下拉选项框选择正确的词汇。
Mary, the 17-year-old daughter of a rich textile(纺织品) owner was freed(释放) by her kidnappers(绑匪) after 118 days. She said she spent most of the time in a tent in the woods{with; and; although}one foot tied to a tree. She was freed late on Friday{so; after; unless}her family paid a total of $1.8 million, the largest ransom (赎金) ever paid in Italy.
“I was treated{good; bad; well},” the girl told the reporter during the interview, “Biscuits, cakes, often hot food and at times beef.” She said her nearly four months in trouble was spent in a tent set up in a wooded area.
“I never saw their faces and{when; that; which}they spoke, they changed their voices in nasal tones (speaking through nose passage) on purpose ,” she said. “They kept repeating that the only thing they wanted was the money and that they didn't want to have{nothing; something; anything}to do with me or my family.”
The high school student, who was seized by three face-covered and armed men on July 2, 1983 from her family's country villa in Tuscany, said she still had no idea where exactly she had been held.
Women’s fashion is now, some believe, at the turning point of similar magnitude, coinciding with the equally dramatic social transformation of the past several decades. The change has been slow: a century long move away from the padding, corseting, and decoration that made a woman into a kind of ornate bauble(小摆设) and displayed her family’s wealth, and toward the clean, sleek modern lines first introduced with the suffrage movement.
But the shift has accelerated in recent years, thanks to changes in the technology and business of fashion. The use by top designers of "weird, fabulous, unrecognizable synthetics," says Hollander "has ruined the status of certain fabrics, like linen, which has had a leveling effect for the sexes and for' the classes." And the emergence of chains like Club Monaco means that "forward looking style. is disseminated very fast and very cheaply," according to Valerie Steele, a historian and curator of "Shoes: A Lexicon of Style," an exhibition now on view at New York’s Fashion Institute of Technology. Such stores have succeeded, she believes, because "there’s substantial group of people with a sophisticated eye for design" who are eager for an affordable version of what was once thought to be "dog-whistle fashion," pitched so high that only a few would get it. Against that back-ground, the shoes at FIT look like fashion’s last gasp. The exhibit begins with the most symbolically loaded of women’s shoes: high heels, which Steele calls "a prime symbol of women’s sexual power over men."
That same defiance of feminine expectations is visible throughout the FIT show: in the boot, for instance, with its connotations of machismo and. military power, or the androgynous oxford, made girlisl with a big chunky heel. The show ends, fittingly, with the sneaker. No longer simply a downscale kid wear item, the big, brilliantly colored, high-tech sneaker has become one of the today’s most dramatic fashion statements, asserting street hip and futuristic velocity. Maybe shoes aren’t so indifferent to the changes in modem lives, after all.
The end of men’s lavish attention to fashion marks
A．great political and social changes.
B．aristocracy.
C．social ranks.
D．the great renunciation.
A.Eliot
B.Lewis
C.Hemingway
A.Ezra Pound
B.Hemingway
C.Robert Frost
D.Steinbeck
A．famous
B．popular
C．common
D．favorite
A．is believing
B．is believed
C．believes
D．believe
