Heatiler:Look,I‘ve got a problem here.Will you help me?Rebecca:,but I‘ll try.
Heatiler:Look,I‘ve got a problem here.Will you help me?
Rebecca:,but I‘ll try.
A.No,I won,t
B.I"m really willing to
C.Yes,I,m glad
D.I"m not sure if I can
Heatiler:Look,I‘ve got a problem here.Will you help me?
Rebecca:,but I‘ll try.
A.No,I won,t
B.I"m really willing to
C.Yes,I,m glad
D.I"m not sure if I can
Heather: Look, I've got a problem here. Will you help me?
Rebecca: , but I'll try.
A. No, I won't
B. I'm really willing to
C. Yes, I'm glad
D. I'm not sure if I can
A.figure out
B.look at
C.get out
D.put up
A.That' s right
B.Poor you
C.No way
D.I can tell
A.Oh, fantastic! Fresh air, and sunshine every day
B.Come on, I've got lots of fun
C.By the way, I don't like Saturdays
D.Well, I'll look forward to your phone call
A. I’ve no time
B. I’d rather not
C. I’d like it
D. I’d be happy to
— I've got the system running, but I can't open my file.
—
A、Let me see if I can get it to work.
B、I'm very sorry.
C、It's my pleasure.
I【69】about it with my friends Frank and Lesley.【70】of them【71】suggest anything, but they promised that they would ask their friends. A few days later【72】I was still in bed,【73】telephoned. "Is that Miss Jenkins?" a man's voice asked. "I【74】your hobby is photography and I've got a job that might interest you in my clothes factory. My name is Mr. Thomson. "He seemed pleasant on the phone【75】I went to see him. I was so excited that I almost forgot【76】goodbye. "Good luck!" my mother said to me.
I arrived【77】early and when Mr. Thomson came he asked me if I【78】waiting a long time. "No, not long." I replied. After talking to me for about twenty minutes he【79】me a job-- not as a photographer though,【80】a model!
(36)
A.early
B.presently
C.soon
D.quickly
This is especially true in fast impressions. According to research from Princeton University, people assess your competence, trustworthiness, and likeability in just a tenth of a second, solely based on the way you look. The difference between today’s workplace and the “dress for success” era is that the range of options is so much broader. Norms have evolved and fragmented. In some settings, red sneakers or dress T-shirts can convey status; in others not so much. Plus, whatever image we present is magnified by social-media services like LinkedIn. Chances are, your headshots are seen much more often now than a decade or two ago. Millennials, it seems , face the paradox of being the least formal generation yet the most conscious of style. and personal branding. It can be confusing. So how do we navigate this? How do we know when to invest in an upgrade? And what’s the best way to pull off one that enhances our goals? Here are some tips:
41_________________ As an executive coach, I’ve seen image upgrades be particularly helpful during transitions-when looking for a new job, stepping into a new or more public role, or changing work environments. If you’re in a period of change or just feeling stuck and in a rut, now may be a good time. If you’re not sure, ask for honest feedback from trusted friends, colleagues and professionals. Look for cues about how others perceive you. Maybe there’s no need for an upgrade and that’s OK.
42.__________________ Get clear on what impact you’re hoping to have. Are you looking to refresh your image or pivot it? For one person, the goal may be to be taken more seriously and enhance their professional image. For another, it may be to be perceived as more approachable, or more modern and stylish. For someone moving from finance to advertising, maybe they want to look more “SoHo.”(It’s OK to use characterizations like that.)
43.____________________ Look at your work environment like an anthropologist. What are the norms of your environment? What conveys status? Who are your most important audiences? How do the people you respect and look up to present themselves? The better you understand te cultural context, the more control you can have over your impact.
44._____________________ Enlist the support of professionals and share with them your goals and context. Hire a personal stylist, or use the free styling service of a store like. Crew. Try a hair stylist instead of a barber. Work with a professional photographer instead of your spouse or friend. It’s not as expensive as you might think.
45_____________________ The point of a style. upgrade isn’t to become more vain or to spend more time excessing over what to wear. Instead, use it as an opportunity to reduce decision fatigue. Pick a standard work uniform. or a few go-to options. Buy all your clothes …. once with a stylist instead of shopping alone, one article of clothing at a time.
A、Create a new image of yourself
B、Decide if the time is right
C、Have confidence in yourself
D、Understand the context
[E] Work with professionals
[F] Know your goals
[G] Make it efficient
41__________________
43
45
42
44
请帮忙给出每个问题的正确答案和分析,谢谢!
It's Christmas again. We live on a dirty street in a shabby house among people who aren't much good. You can't see how pitiful it is that our neighbors have to make happiness out of this filth (污秽) and dirt. My children must get out of this. But how? The money that we've saved isn't nearly enough.
The McGaritys have money, but they are show-offs with it. The McGarity girl just yesterday stood out there in the street eating from a bag of cookies while a group of hungry children watched her. I saw those children looking at her and crying in their hearts, and when she couldn't eat any more, she threw the rest down the sewer (阴沟).
Miss Jackson who teaches at the Settlement House (教育中心) isn’t rich, but she knows things, she understands people. Her eyes look straight into yours when she talks with you. Everyboby else here looks away because they'rs ashamed of their lives. I'd like to see the children be like Miss Jackson when they grow up.
The writer suggests that her family______.
A.is extremely rich
B.is an unhappy one
C.live with nice and kind people
D.long for a change in their life
Then one evening,after he had looked through the straw and emptied the factory worker's pockets (17) usual,he said to him,“Listen,I know that you are smuggling things (18) this frontier. Won't you tell me what it is that you're bringing into the country so successfully? I'm an old man,and today's my last day on the job. Tomorrow I'm going to (19) . I promise that I shall not tell anyone if you tell me what you've been smuggling. ”The factory worker did not say anything for (20) . Then he smiled,turned to Henry and said quietly:“Bicycles. ”
A. should
B. might
C. would
D. must