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She spoke fast that I could not catch a word.A.tooB.veryC.suchD.so

She spoke fast that I could not catch a word.

A.too

B.very

C.such

D.so

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更多“She spoke fast that I could no…”相关的问题
第1题
The teacher spoke so fast that it was hard for the students to ______ what he was saying.A

The teacher spoke so fast that it was hard for the students to ______ what he was saying.

A.take in

B.take out

C.take up

D.take over

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第2题
He spoke so fast that I didn’t __________what he said.

A.make over

B.make out

C.make for

D.make sure

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第3题
As she()so many times before, she spoke calmly of how the mountains needed to be preserv
As she()so many times before, she spoke calmly of how the mountains needed to be preserv

ed.

A.was doing

B.does

C.have done

D.had done

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第4题
Even when she didn't know what she ______ about, she spoke more authoritatively than most
people did.

A.talked

B.had been talking

C.had talked

D.would talk

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第5题
- She is running a fever, but now it is under control.- _________A:She is running fast

- She is running a fever, but now it is under control.

- _________

A:She is running fast.

B:I will go and see her after work.

C:Her mother does not run.

D:She is running away from home.

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第6题
An old lady in a plane had a blanket(毯子)over her head and she did not want to take i
An old lady in a plane had a blanket(毯子)over her head and she did not want to take i

t off.The air hostess spoke to her, but the old lady said, “I have never been in a plane before , and I am frightened.I am going to keep this blanket over my head until we are back on the ground again!”

Then the captain came.He said, “Madam, I am the captain of this plane.The weather is fine, there are no clouds in the sky, and everything is going very well.”But she continued to hide.

So the captain turned and started to go back.Then the old lady looked out from under the blanket with one eye and said, “I am sorry, young man, but I don’t like planes and I am never going to fly again.But I’ll say one thing, ”She continued kindly, “You and your wife keep your plane very clean!”

(1)An old lady had ________.

A.glasses

B.a blanket over her head

C.a coat

D.a basket

(2)A.She didn’t want to ________.

A.take it off

B.turn it off

C.get on

D.talk about it

(3)________ spoke to her.

A.The air hostess

B.The man next to her

C.her husband

D.one of her friends

(4)The old lady had never been ________ before.

A.abroad

B.home

C.in a plane

D.in hospital

(5)The woman didn’t like planes and she was never going ________.

A.to fly again

B.to travel

C.to go abroad

D.to go home

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第7题
How did the accident occur?A.Amy ran a stop sign at an intersection and a truck crashed in

How did the accident occur?

A.Amy ran a stop sign at an intersection and a truck crashed into their car.

B.Amy was driving too fast to see a coming truck.

C.Amy was too nervous to stop when she saw a truck running towards them.

D.Amy didn't know what to do when she saw the sign.

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第8题
Two or three times a week, she had a customer in【21】she began to take an interest. He was
a middle-aged man【22】spectacles and a brown beard. He spoke English with a strong German accent. His clothes were worn and wrinkled, but he looked neat and had very good manners. He always bought two【23】of stale bread. He never asked for anything【24】stale bread; it cost a lot less than【25】bread. Once Miss Albert noticed a red and brown stain on his finger. She was sure that he was an artist and very poor. No doubt he lived in an attic, where he【26】pictures and ate stale bread and thought of good things to eat in the bakery.

Often when Miss Albert sat down to her evening meal, she【27】sigh and wish the artist might share her food instead of eating his dry bread. One day the customer came in【28】usual and asked for his stale bread. As the sudden noise of the fire engine made him hurry to the door, Miss Albert【29】her opportunity. She cut each of the loaves with a knife, inserted some butter and, when the customer turned round, she was putting them【30】a paper bag.

(46)

A.whom

B.who

C.which

D.that

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第9题
Until the end of the 18th century, it was men who lavished attention on their feet. Louis
XIV wore high heeled mules to show off his shapely legs; his courtiers adorned their figures and feet with feathers, pink silk, lace, and jewels; even in colonial American, men fussed with their wigs and the bows and buttons on their shoes. The end of that foppery, called "the great renunciation" by historians, coincided with an epochal shift in politics and society, toward democracy, industry, and reason, away from the aristocracy with its affectations that spoke of rank, parasitism and, to the modem eyes, effeminacy.

Women’s fashion is now, some believe, at the turning point of similar magnitude, coinciding with the equally dramatic social transformation of the past several decades. The change has been slow: a century long move away from the padding, corseting, and decoration that made a woman into a kind of ornate bauble(小摆设) and displayed her family’s wealth, and toward the clean, sleek modern lines first introduced with the suffrage movement.

But the shift has accelerated in recent years, thanks to changes in the technology and business of fashion. The use by top designers of "weird, fabulous, unrecognizable synthetics," says Hollander "has ruined the status of certain fabrics, like linen, which has had a leveling effect for the sexes and for' the classes." And the emergence of chains like Club Monaco means that "forward looking style. is disseminated very fast and very cheaply," according to Valerie Steele, a historian and curator of "Shoes: A Lexicon of Style," an exhibition now on view at New York’s Fashion Institute of Technology. Such stores have succeeded, she believes, because "there’s substantial group of people with a sophisticated eye for design" who are eager for an affordable version of what was once thought to be "dog-whistle fashion," pitched so high that only a few would get it. Against that back-ground, the shoes at FIT look like fashion’s last gasp. The exhibit begins with the most symbolically loaded of women’s shoes: high heels, which Steele calls "a prime symbol of women’s sexual power over men."

That same defiance of feminine expectations is visible throughout the FIT show: in the boot, for instance, with its connotations of machismo and. military power, or the androgynous oxford, made girlisl with a big chunky heel. The show ends, fittingly, with the sneaker. No longer simply a downscale kid wear item, the big, brilliantly colored, high-tech sneaker has become one of the today’s most dramatic fashion statements, asserting street hip and futuristic velocity. Maybe shoes aren’t so indifferent to the changes in modem lives, after all.

The end of men’s lavish attention to fashion marks

A.great political and social changes.

B.aristocracy.

C.social ranks.

D.the great renunciation.

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第10题
Mrs. Luth Li was a Chinese woman living in Singapore. She named her baby girl Patsy Li. Th
is name in Chinese means "white plum blossom". When Patsy Li was six years old, the Japanese attacked Singapore. Mrs. Li and Patsy Li escaped on a ship which was sunk. Mrs. Li placed Patsy Li on a bit of floating wreckage. Later Mrs. Li was saved, but the little girl could not be found.

Many months after, four thousand miles away, a group of United States Marines found a little Chinese girl. No one could tell how she had got there. She refused to talk or give her name. The captain who spoke Chinese named her Patsy Lee because he thought she looked like a white plum blossom.

When the New York Times told about the finding of "Patsy Lee", Mrs. Li's sister saw the news and wrote to her sister about it. Could Patsy Lee be the lost child Patsy Li? The mother made the long voyage to find out. The little "white plum blossom" was indeed her own Pasty Li.

According to the story, what does "Patsy Li" mean?

A.White apple blossom.

B.White peach blossom.

C.White pear blossom.

D.White plum blossom.

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