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[单选题]

If you meet someone unexpectedly in the street, what do you say?()。

A.Nice to see you

B.Fancy meeting you here

C.Have you had your dinner

D.Long time no see

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更多“If you meet someone unexpected…”相关的问题
第1题
根据以下内容回答题:Why do you like someone?That person may not be great looking if you tak

根据以下内容回答题:

Why do you like someone?That person may not be great looking if you take a poll,but someone falls(1)him/her immediately.Why do this happen?What is the chemistry?Why do you find someone attractive?What is the(2)of that?Many love stories have been written around the love at first sight.The prince saw the princess and the princess saw the prince.Both(3)in love with each other forever.This is what romance is made(4). What is this and how does this happen?You manage to lose your(5);your thinking ability and your head.Your heart con-trols everythin9.You try every way possible to meet and win over that person.You pass sleep-less nights(6)of him/her.You are not able to live without that person for a moment.Much has been written about romantic love.No one has(7)any conclusion about how such love devclops.There are different theories about it,but can love be ever defined in terms of chemicals?Ultimately what will science achieve by(8)about how and why of such ro-mantic love that is heavenly?The best thing if you fall in(9)love is to preserve it carefully.(10)no circumstances,let anything happen to destroy it.It is very precious.Take care of it.

1.

A.for

B.at

C.on

D.down

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第2题
Contrary to its rather negative reputation in the West, pigs in Chinese culture are a sign
of kindness and generosity. Pigs care a great deal about friends and family and work hard to keep everyone in their life happy. Chinese people view the pig as a smart and prosperous animal. Western ideas tend to be a little more negative.

When talking to a Westerner, however, you have to be a little careful when you talk about pigs. A pig in the West is seen as a dirty, lazy, and fat animal. If anyone ever called you a pig, you wouldn't be smiling. When a person doesn't like someone, sometimes he will call that person a pig.

If you ever meet a Westerner who was born in the year of the pig, don't say, "Oh, you're a pig!" Most Westerners will be quite understanding. They will be sure that you made some kind of a mistake. However, don't take any chances. You might just offend someone who does not share your positive ideas about pigs.

You have to be careful when you talk to a Westerner about pigs because______.

A.they worship pigs best of all

B.they consider pigs as bad animals

C.they aren’t used to talking about pigs

D.they don't like the topic about pigs at all

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第3题
完成下列各选项 A Countless times in my life I've heard
“ I have the worst memory in the world.I meet some—one and,a minute later,forget his name.’’ Well,I have news for you.That is not always so.Sometimes you do not forget the name.You do not even hear it in the first place. Try to recall(回忆)the last time You met a stranger.The introduction probably sounded something 1ike this:“Mr·Jones,say hello to Mr.Fuzafumer.”What you heard was a mumble (嗫嚅)·The thing to do at this point is to say,“I'm sorry,I didn’t catch your name.” Most people think it isn’t polite to ask to hear a name again.I don't know why.If you make the slightest fuss(大惊小怪)over it,he or she will love you. Here ale five simple rules to help you remember names: 1.Be sure to hear the name. 2·Ask how the name is spelled.This forces you to pay attention. 3·Make a remark about the name—any remark.For example,“0h,I just met a person with the same name.”0r,“What is that name a derivative(派生词)of?”Whatever. 4·Use the name where it is possible during the talk. 5·Use the name again when you say good.bye. Remember this:anything that is meaningful is already half-remembered.Names like Flag,Hunter,Rivers,Armstrong already have meaning.But how will you picture.names like Bartosevitch ? Think of“bought a savage”.If you meet someone named Bill,picture a dollar bill.For Richard,picture someone being rich. The writer thinks that people________ .

A.don’t always forget other's names

B.don’t hear others’names

C.never forget others’names

D.have the worst memory

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第4题
"We're more than halfway (中途) now; it's only two miles farther to the tavern (客栈) ," s

"We're more than halfway (中途) now; it's only two miles farther to the tavern (客栈) ," said the driver.

"I'm glad of that," answered the stranger, in a more sympathetic way. He meant to say more but the east wind blew clear down a man's throat if he tried to speak. The girl's voice was quite attractive; however, later he spoke again.

"You don't feel the cold so much at twenty below zero in the Western country. There isn't such damp chill (潮冷)", he said, and then it seemed as if he had blamed the uncomplaining young driver. She had not even said that it was a bad day, and he began to be conscious of a warm hopefulness of spirit, and sense of pleasant adventure under all the woolen scarves.

"You'll have a cold drive going back," he said anxiously, and put up his hand for the twentieth time to see if his coat collar was as close to the back of his neck as possible.

"I shall not have to go back!" cried the girl, with eager pleasantness. "I'm on my way home now. I drove over early just to meet you at the train. We had word that someone was coming to the tavern."

How far was the drive from the train to the tavern?

A.One mile.

B.About four miles.

C.Two miles.

D.Less than four miles.

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第5题
根据以下内容回答题:Exchange a glance with someone,then look away.Do you realize that you h
ave made a statement?Hold the glance for the second longer,and you have made a different statement.Hold it for three seconds,and the meaning has changed again.For every social situation,there is a Dennissible time that you can hold a person’s gaze without being intimate,rude or aggre- ssive.If you are on an elevator,what gaze.time are you permitted?To answer this question,consider what you typically d0.You are likely to give other passengers a quick glance to size them up and to assure them that you mean flo threat. Since being close to another person signals the possibility of interaction,you need to give a signal telling others you want to be left alone.So you cut off eye contact,what sociologist Erv-ing Goffrnan calls“a dimming of the lights”you look down at the floor,at the indicator lights,anywhere but into another passenger"s eyes.Should you break the rule against staring at a stran-ger on an elevator,you will make the other person exceedingly uncomfortable,and you are likely to feel a bit strange yourself. If you hold eye contact for more than three seconds,what are you telling another person?Much depends on the person and situation,For instance,a man and woman communicate interest in this matter.They typieally gaze at each other for about three seconds at a time,then drop their eyes down for three seconds,before letting their eyes meet again.But-if one man gives another man a 3-second—plus stare,he signals“I know you,I am interested in you,”or“you look peculiar and I am CUriOUS about you.”This type of state ohen produces hostile feel—ings.

It can be inferred from the first paragraph that__________ .

A.every glance has its significance

B.staring at a person is an expression of interest

C.a gaze longer than three seconds is unacceptable

D.a glance conveys more meaning than words

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第6题
When setting the time and place to meet, if someone says ‚I don’t have a window this week‛, what he or she really wants to say is ‚I don’t have a place to stay for this week.()
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第7题
Exchange a glance with someone, and then look away. Do you realize that you have made a st
atement? Hold the glance for a second longer, and you have made a different statement. Hold it for three seconds, and the meaning has changed again. For every social situation, there is permissible time that you can hold a person's gaze without being intimate, rude, or aggressive. If you are on an elevator, what gaze-time are you permitted? To answer this question, consider what you typically do. You are very likely give other passengers a quick glance to size them up(打量) and to assure them that you mean no threat. Since being close to another person signals the possibility of interaction, you need to emit a signal telling others you want to be left alone. So you cut off eye contact, which sociologist Erving Goffman(1963 ) calls "a dimming of the lights". You look down at the floor, at the indicator lights, anywhere but into another passenger's eyes. Should you break the rule against staring at a stranger on an elevator, you will make the other person exceedingly uncomfortable, and you are likely to feel a bit strange yourself.

If you hold eye contact for more than three seconds, what are you telling another person? Much depends on the person and the situation. For instance, a man and a woman communicate interest in this manner. They typically gaze at each other for about three seconds at a time, and then drop their eyes down for three seconds, before letting their eyes meet again. But if one man gives another man a three-second-plus stare, he signals— "I know you. " "I am interested in you. " or "You look peculiar and I am curious about you. " This type of stare often produces hostile feelings.

It can be inferred from the first paragraph that______.

A.every glance has its significance

B.staring at a person is an expression of interest

C.a gaze longer than three seconds is unacceptable

D.a glance conveys more meaning than words

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第8题
In an ordinary mirror your right eye stares at your right eye and your left eye at your le
ft eye--the opposite of the right-left, left-right connection we employ for assessing one another in the wild. The image in a True Mirror (which shows what you look like to others) can come as something of a shock. You tend to look the way you do in photographs, which for many people is also a shock. (This is the flip side (反面) of the start you sometimes get when looking at the reflected image of someone you are accustomed to seeing in person.) A newspaper headline held up to a True Mirror doesn't appear backward--it reads just fine. But your own face may seem oddly asymmetrical. Facial mannerisms nurtured in front of a normal mirror may in a True Mirror be revealed in a different light. "It is a wholly new view for many," the True Mirror's promotional literature concedes, "and not surprisingly, some don't like or feel uncomfortable with the new look."

Another issue: in a True Mirror you seem to have far less control over the figure in the glass than you do in a normal mirror. If you turn to the right in front of a normal mirror, the image turns with you and ends up facing in the same direction, completing the visual palindrome (回文). In a True Mirror the image faces the other way, as if you were about to begin pacing off for a duel with yourself; and when you take a step, the image steps away from you. In a normal mirror your reflected finger comes out to meet your real one until they touch, like Michelangelo's God and Adam. In a True Mirror the reflected finger comes at you from the other side of the glass, as if pointed by the other hand. Ordinarily, you have no difficulty looking at a normal mirror and guiding your hand to an object reflected in it. Try this with a True Mirror, and your grasp will prove errant. Shaving becomes a blood sport. If all the review mirrors in America's cars were suddenly replaced by True Mirrors, there could be a very special episode of ER (美国电视剧《急诊室》).

In an ordinary mirror your right eye stares at your right eye and your left eye at your left eye--the opposite of the right-left, left-right connection we employ for assessing one another in the wild. The image in a True Mirror (which shows what you look like to others) can come as something of a shock. You tend to look the way you do in photographs, which for many people is also a shock. (This is the flip side (反面) of the start you sometimes get when looking at the reflected image of someone you are accustomed to seeing in person.) A newspaper headline held up to a True Mirror doesn't appear backward--it reads just fine. But your own face may seem oddly asymmetrical. Facial mannerisms nurtured in front of a normal mirror may in a True Mirror be revealed in a different light. "It is a wholly new view for many," the True Mirror's promotional literature concedes, "and not surprisingly, some don't like or feel uncomfortable with the new look."

Another issue: in a True Mirror you seem to have far less control over the figure in the glass than you do in a normal mirror. If you turn to the right in front of a normal mirror, the image turns with you and ends up facing in the same direction, completing the visual palindrome (回文). In a True Mirror the image faces the other way, as if you were about to begin pacing off for a duel with yourself; and when you take a step, the image steps away from you. In a normal mirror your reflected finger comes out to meet your real one until they touch, like Michelangelo's God and Adam. In a True Mirror the reflected finger comes at you from the other side of the glass, as if pointed by the other hand. Ordinarily, you have no difficulty looking at a normal mirror and guiding your hand to an object reflected in it. Try this with a True Mirror, and your grasp will prove errant. Shaving becomes a blood sport. If all the review mirrors in America's cars were suddenly replaced by True Mirrors,

A.as reflected in water

B.what we look like to others

C.in photographs

D.in a True Mirror

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第9题
见到你很高兴()

A.Nice meet you

B.Nice to meet you

C.Nice to meet you, too

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第10题
If you cannot attend the meeting, please find someone to ______ for you.A.replaceB.substit

If you cannot attend the meeting, please find someone to ______ for you.

A.replace

B.substitute

C.displace

D.misplace

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