They are two novels(小说), you can takethis one_that one。

A.either,and

B.between,or

C.between, and

D.either, or

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第1题

We sometimes hear that essays are an old-fashioned form, that so-and-so is the "last essay

ist", but the facts of the marketplace argue quite otherwise. Essays of nearly any kind are so much easier than short stories for a writer to sell, so many more see print, it's strange that though two fine anthologies (collections) remain that publish the year's best stories, no comparable collection exists for essays. Such changes in the reading public's taste aren't always to the good, needless to say. The art of telling stories predated even cave painting, surely; and if we ever find ourselves living in caves again, it (with painting and drumming) will be the only art left, after movies, novels, photography, essays, biography, and all the rest have gone down the drain--the art to build from.

Essays, however, hang somewhere on a line between two sturdy poles: this is what I think, and this is what I am. Autobiographies which aren't novels are generally extended essays, indeed. A personal essay is like the human voice talking, its order being the mind's natural flow, instead of a systematized outline of ideas. Though more changeable or informal than an article or treatise, somewhere it contains a point which is its real center, even if the point couldn't be uttered in fewer words than the essayist has used. Essays don't usually boil down to a summary, as articles do, and the style. of the writer has a "nap" to it, a combination of personality and originality and energetic loose ends that stand up like the nap (绒毛) on a piece of wool and can't be brushed flat. Essays belong to the animal kingdom, with a surface that generates sparks, like a coat of fur, compared with the flat, conventional cotton of the magazine article writer, who works in the vegetable kingdom, instead. But, essays, on the other hand, may have fewer "levels" than fiction, because we are not supposed to argue much about their meaning. In the old distinction between teaching and storytelling, the essayist, however cleverly he tries to conceal his intentions, is a bit of a teacher or reformer, and an essay is intended to convey the same point to each of us.

An essayist doesn't have to tell the whole truth and nothing but the truth, he can shape or shave his memories, as long as the purpose is served of explaining a truthful point. A personal essay frequently is not autobiographical at all, but what it does keep in common with autobiography is that, through its tone and tumbling progression, it conveys the quality of the author's mind. Nothing gets in the way. Because essays are directly concerned with the mind and the mind's peculiarity, the very freedom the mind possesses is conferred on this branch of literature that does honor to it, and the fascination of the mind is the fascination of the essay.

According to the passage the changes in readers' taste ______.

A．contribute to the incompatibility of essays with stories

B．often result in unfavorable effect, to say the least

C．sometimes come to something undesirable, of course

D．usually bring about beneficial outcome, so to say

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第2题

Passage 5 When I decided to quit my full time employment it never occurred to me that I mi

ght become a part of a new international trend. A lateral move that hurt my pride and blocked my professional progress prompted me to abandon my relatively high profile career although, in the manner of a disgraced government minister, I covered my exit by claiming “I wanted to spend more time with my family".

Curiously, some twoandahalf years and two novels later, my experiment in what the Americans term “downshifting" has turned my tired excuse into an absolute reality. I have been transformed from a passionate advocate of the philosophy of “have it all", preached by Linda Kelsey for the past seven years in the pages of She magazine, into a woman who is happy to settle for a bit of everything.

I have discovered, as perhaps Kelsey will after her muchpublicized resignation from the editorship of She after a buildup of stress, that abandoning the doctrine of “juggling your life", and making the alternative move into “downshifting” brings with it far greater rewards than financial success and social status. Nothing could persuade me to return to the kind of life Kelsey used to advocate and I once enjoyed: 12-hour working days, pressured deadlines, the fearful strain of office politics and the limitations of being a parent on “quality time”.

In America, the move away from juggling to a simpler, less materialistic lifestyle. is a-well-established trend. Downshifting — also known in America as “voluntary simplicity” — has, ironically, even bred a new area of what might betermed anti-consumerism. There are a number of bestselling downshifting self help books for people who want to simplify their lives; there are newsletters, such as The Tightwad Gazette, that give hundreds of thousands of Americans usefultips on anything from recycling their clingfilm to making their own soap; there are even support groups for those who want to achieve the mid'90s equivalent of dropping out.

For the women of my generation who were urged to keep juggling through the '80s, downshifting in the mid'90s is not so much a search for the mythical good life — growing your own organic vegetables, and risking turning into one — as a personal recognition of your limitations.

第67题：Which of the following is true according to paragraph 1？

A Fulltime employment is a new international trend.

B The writer was compelled by circumstances to leave her job.

C “A lateral move" means stepping out of fulltime employment.

D The writer was only too eager to spend more time with her family.

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第3题

Of all Dickens’s novels, Nicholas Nickleby is regarded as his masterpiece.（）

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第4题

“The Grape of Wrath” is one of the remarkable novels of_____.

A.the Civil War