I have gone to all this trouble ()_.
A.in account with you
B.for account of you
C.on your account
D.on your own account
A.in account with you
B.for account of you
C.on your account
D.on your own account
With all this work on hand, she ______ to the dance party last night.
A.oughtn't to go
B.hadn't gone
C.shouldn't have gone
D.mustn't have gone
With all the work on hand, he______ to the cinema last night.
A.should go
B.must have gone
C.shouldn't have gone
D.might have gone
I'm not sure where our teacher is. She ______ to see Xiao Wang, who is ill at home.
A.can't have gone
B.shouldn't have gone
C.might have gone
D.must have gone
I had just gone to bed after a very hard day when the phone rang. It was an eccentric(怪癖) farmer. I had never met him before although I had heard people talk about him. He sounded quite nervous and talked for a minute or so before I understood anything. Even then all I could make out was that someone called Milly had had a very bad accident. I didn't have the slightest idea who she was but obviously I had to go.
It was snowing heavily that day and I didn't know the way. I had been driving for at least an hour when I finally found his place. He was standing there, waiting for, me. "She meant more to me than anyone... even my own wife!" he said. I could see that he had been crying. I thought something terrible had taken place, a possible scandal(丑闻). I was even more shocked when he told me that he had put her in the barn(厩). "I wouldn't leave her out in the cold!" he said.
Milly had clearly been a secret lover of his. I was about to tell him he could not expect me to cover anything up when he opened the barn door. He lifted his candle and I saw a dark figure on the ground. "She was such a good cow! I wouldn't let anyone but a doctor touch her!" he said, and burst into tears again.
The underlined phrase "make out" in the first paragraph means______.
A.expect
B.see clearly
C.hear clearly
D.understand
A.can’t
B.may not
C.must not
D.won't
Mom is always there; she had soup ready in the breakfast room by the time that Ann and Jim and I get home. Ann and Jim have never gone in for the cafeteria, either. Our house in only about a ten-minute walk from the school building, so we can make it back in plenty of time.
There's something about eating in the cafeteria--and not leaving the high school from morning until afternoon -- that feels a little like being in prison. By the end of the morning, I've got to get out of the building. And Mom never seems to mind fixing lunch for us; she never suggests that we eat in the cafeteria.
It's really the only time we have to be alone with her. In the morning Dad's there, and by the time I get home after messing around(混时间) after school, he's usually at home from work. So the time that Mom and I talk together is usually at lunch.
I feel sorry for the students who eat in the cafeteria every day. It would drive me mad, I don't know if their moms just don't like to cook for them in the middle of the day, or if they actually like the cafeteria and the cafeteria food.
When the author was in junior high school, ______.
A.he never ate in the cafeteria
B.he ate in the cafeteria sometimes but not often
C.he always went back for lunch
D.he often ate in the cafeteria
I know I was to blame, but_____you needn’t have been so angry.
A.for the time being
B.at all times
C.in no time
D.at the same time
There is nobody here in the office-they have all gone home.
A.can
B.must
C.should
D.would
A.Sure,but I have to prepare for the exam
B.Thank you all the same
C.Leave it to me,I assure you
D.I"m afraid I can’t make it by then
Essays, however, hang somewhere on a line between two sturdy poles: this is what I think, and this is what I am. Autobiographies which aren't novels are generally extended essays, indeed. A personal essay is like the human voice talking, its order being the mind's natural flow, instead of a systematized outline of ideas. Though more changeable or informal than an article or treatise, somewhere it contains a point which is its real center, even if the point couldn't be uttered in fewer words than the essayist has used. Essays don't usually boil down to a summary, as articles do, and the style. of the writer has a "nap" to it, a combination of personality and originality and energetic loose ends that stand up like the nap (绒毛) on a piece of wool and can't be brushed flat. Essays belong to the animal kingdom, with a surface that generates sparks, like a coat of fur, compared with the flat, conventional cotton of the magazine article writer, who works in the vegetable kingdom, instead. But, essays, on the other hand, may have fewer "levels" than fiction, because we are not supposed to argue much about their meaning. In the old distinction between teaching and storytelling, the essayist, however cleverly he tries to conceal his intentions, is a bit of a teacher or reformer, and an essay is intended to convey the same point to each of us.
An essayist doesn't have to tell the whole truth and nothing but the truth, he can shape or shave his memories, as long as the purpose is served of explaining a truthful point. A personal essay frequently is not autobiographical at all, but what it does keep in common with autobiography is that, through its tone and tumbling progression, it conveys the quality of the author's mind. Nothing gets in the way. Because essays are directly concerned with the mind and the mind's peculiarity, the very freedom the mind possesses is conferred on this branch of literature that does honor to it, and the fascination of the mind is the fascination of the essay.
According to the passage the changes in readers' taste ______.
A.contribute to the incompatibility of essays with stories
B.often result in unfavorable effect, to say the least
C.sometimes come to something undesirable, of course
D.usually bring about beneficial outcome, so to say
-- Have you seen Jack and John?
-- I haven't seen ______ of them.
A. neither
B. any
C. either
D. all